‘The Secret History of Love’: An Interview With Choreographer Sean Dorsey
Sean Dorsey is an award-winning choreographer, dancer and writer. Recognized as the United States’ first out transgender modern dance choreographer, Dorsey has won audiences and accolades from San Francisco to New York with his powerful dance-theater. Dorsey is the founder and Artistic Director of Fresh Meat Productions, the first U.S. non-profit dedicated to the year-round creation, presentation, and touring of transgender arts. Dorsey’s current show, The Secret History of Love, will be in San Francisco from March 28-31 as part of a 20-city national tour. Dorsey was able to talk to me via e-mail about the show, the LGBT history project upon which the show is based, and being out and trans in the dance world. Matt Kailey: How did you get interested in dance and choreography? Sean Dorsey: I have always loved dance and movement. I spent a lot of time twirling around my living room in my leotard,
The Source Summary reproduces the first 150 words of the source article unless a Collective editor has explicitly locked a replacement.
Why this article may matter
Community significance
“‘The Secret History of Love’: An Interview With Choreographer Sean Dorsey” may matter to community readers because it preserves a first-person or testimonial account connected to history, archives, and memory, while also engaging transgender identity and history. Such accounts can document how an issue was understood and experienced from within the period or community being discussed.
Historical significance
The article may have historical value because it explicitly interprets or preserves material concerning history, archives, and memory. Published in 2013 by Transadvocate.com, it can be read both for the history it describes and as evidence of how transgender identity and history was framed at that moment.
Policy significance
No dominant policy frame was detected in “‘The Secret History of Love’: An Interview With Choreographer Sean Dorsey.” Its policy relevance, when present, is therefore likely indirect: the article’s treatment of history, archives, and memory may shape later arguments about institutions or public practice rather than proposing a specific rule.
Ranked themes and framings
Rank 1 is the dominant inferred theme or framing. Parent labels identify broader theme families; the relationship key beneath the diagram explains the line styles used for hierarchy, same-family relationships, overlap, and separate-but-related themes.
Themes
- 1History, archives, and memoryTheme family: Knowledge, history, and communication100%
- 2Transgender identity and historyTheme family: Identity, culture, and community57%
- 3Community and organizingTheme family: Identity, culture, and community23%
- 4Science, evidence, and expertiseTheme family: Knowledge, history, and communication5%
- 5Family and relationshipsTheme family: Identity, culture, and community5%
- 6Violence, safety, and dehumanizationTheme family: Power, ideology, and social conflict4%
Academic framing
- 1100%
- 265%
- 314%
Editorial function
Source topics
- Separate but related themes
- Related theme in the same family
These classifications are inferred from article text and source metadata and remain directly editable. Relationship labels express corpus-analysis judgments, not immutable facts.
How “History, archives, and memory” appears across the Collective corpus
This article was published during the theme’s highest-presence year in the registered corpus (2013).
Relative presence by year
Peak year indexed to 100Presence by member publication
Frequently co-occurring concepts
- Transgender identity and history216
- Community and organizing158
- Law and civil rights117
- Education and youth78
- Media, rhetoric, and discourse63
- Healthcare and medicine57
- Science, evidence, and expertise54
- Culture, identity, and representation52
- Labor, economics, and institutions47
- Violence, safety, and dehumanization45
Academic framings in this topic
Policy framings in this topic
Values measure relative presence in the registered Collective corpus, not public search interest or public opinion.
Documented circulation and reception
3 source-held references record early links or citations; the documented sources span 1 domain. The dated evidence currently falls in 2013. These observations describe circulation and reuse; they do not assign cultural worth or evaluate the communities, arguments, or people discussed.
Evidence by channel
Independent counts; bars are not additiveCoverage of the evidence search
Shows what has actually been checkedDocumented references over time
Dated source evidence currently stored by the CollectiveTransmuseplanet (@sabrina_samone)
‘The Secret History of Love’: An Interview With Choreographer Sean Dorsey http://t.co/Qh76jLmPsW
Autumn Sandeen (@AutumnSandeen)
Via @transadvocate: ‘The Secret History of Love’: An Interview With Choreographer Sean Dorsey http://t.co/BNv4YMcjqV #trans #lgbtqia
Trans March (@transmarch)
Interview with #trans choreographer Sean Dorsey in TransAdvocate: http://t.co/lGVIyZcRNj
Counts describe documented circulation and reception in the sources currently available to the Collective. They are not a score of quality, merit, popularity, or social value, and provider totals can overlap.
Author profiles and related researchers
Related authors in the Collective corpus
Related authors are calculated from co-authorship, shared themes and framings, and citation relationships in the registered corpus. This does not imply a personal or institutional association.
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